International Guild of Disabled Artists and Performers

"[the play] tells the story of nineteen year old Kate Harris, a bright young woman with an absurd wit and a devilish love of trouble. [The playwright] Lucy O'Brien, motivated by her own experience of growing up with a sister with intellectual and physical disabilities...has produced a play that rejects the notion of a ‘universal’ experience of living with a disability. Instead, she paints a portrait of a mistreated – and sometimes manipulative – young woman, whose family life is fraught with pain and controversy, yet imbued with a dark sense of humour."
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Permalink Reply by Guy W. Stoker on December 10, 2010 at 2:33am
Permalink Reply by LiANA GuitarBabe on December 10, 2010 at 5:00am
Permalink Reply by Carol Ann Mueller on December 10, 2010 at 5:32am
Permalink Reply by Carol Ann Mueller on December 10, 2010 at 1:25pm I like your style!
"Hey!"... It's nearly the year 2011! I wonder how things goin' in down town Bagdad! Lets start a forum to see if we can send all our excess wheel chairs with spares to mobilize all those poor sods who stood on a land-mine. I doubt any of them have even a black & white television set, much less a movie pass to find out if 'Al' succeeded in starting a 'black stampede to Hollywood!
Is it ok for an actor who has never played basketball in his life to play the role of a retired basketball player? Is it ok for an actress who is not really an undercover cop to play one in a movie? How about an actor who never got in trouble--should he be allowed to play a film noir gangster? And should someone be allowed to play the role of a psychopath if she's never experienced anything worse than an occasional bad mood? My answer is that anybody can be allowed to act in place of anyone else (as long as it is not considered to be offensive by a group of people who feel they are being portrayed in a negatively stereotypical way). Acting is pretending to be someone else, isn't it? What I find particularly offensive though, is someone with a disability who feels he/she has to hide it and therefore "acts" as if they don't have one.
Permalink Reply by Gregg Vigil on December 24, 2010 at 10:08pm Here are three very distinct questions…
What do you think about non-disabled portrayals of "manipulative" disabled characters – do they perpetuate worn stereotypes?
As an actor with a disability I have had the good fortune to portray a wide-variety of characters
and I believe most characters are manipulative, especially the antagonist. Through all the training actors receive the two
constant questions when creating a character is…what does the character want
and how will they get it? To say that
this type of behavior is stereotypical of people with disabilities is a gross
misconception because this is a common human behavior.
Should non-disabled people be accoladed for "riding the coat-tails" of the disabled community?
Because the playwright may or may not have a disability doesn’t disqualify them writing about the
subject. Plays are stories and some can
be based on non-fiction while others are totally factious but either way they
are written from one person’s perspective.
If a disabled playwright uses non-disabled characters in their play are
they then “riding the coattails” of the able-bodied world?
Is it acceptable for non-disabled actors to be "cripping up" to play disabled roles?
I think that as actors we should be given the same opportunities as our able-bodied counterparts. Normally, I would not want a role just
because the character happens to have a disability but that said doesn’t mean I
would say “no”. In college, I was asked
to audition for a role whose character happened to be elderly and blind. When first asked, I said, no! But the director was pretty insistent and
asked that I read the script before making a final decision. I read the play and immediately knew I wanted
to play this character and have his disability along with my own, which meant I
need to use a manual wheelchair instead of my power-chair due to the period of the story. I did
struggle a little with having to be pushed around on stage in an old wooden
chair but the end result was total exhilaration. However, with all that said, I still believe
that “the playing field needs to be leveled” so that ALL actors are given equal
opportunities based first and foremost on talent. My question is…
Is it acceptable to only cast actors with disabilities in roles that are written for characters with a disability?
Permalink Reply by wendi mariia eliazarian on February 5, 2011 at 12:50am © 2012 Created by IGODAP HQ.